Between Frequencies (2025)
A multi channel sound installation composed of sculptural speaker towers arranged across a continuous elevated platform within the space. Built from sine drones, the work generates a field of sustained frequencies that shifts with the movement of the visitor. Through spatialized audio, resonance, and silence, the installation transforms the room into an immersive acoustic environment where sound is perceived as physical presence, spatial structure, and architectural form.
Magnetic Memories (2023)
The installation presented a reel to reel tape recorder connected to a suspended 5 min loop of magnetic tape that extended outward from the machine and stretched across a white panel before returning to the recorder. The tape moved continuously through the system, forming a physical and sonic circuit within the gallery space. Its path across the panel created a series of horizontal lines that functioned as both a structural element and a visual translation of the recorded signal.
Architones (Ongoing)
Architones is an ongoing exploration to unearth the profound connection between architectural buildings or monuments and their acoustic essence. The aim is to document, preserve, and celebrate the unique vibrations that architecture create. The project brings to life the sonic heritage of structures, revealing the secrets they hold within their walls and foundations. These vibrations unveil stories of materials, craftsmanship, and the passage of time, offering a new lens through which to appreciate architecture.
Au-delà, Music for an art performance (2022)
Music for "Au-delà", an art performance by Émilie Girault at Pal Project Paris.
This performance can be interpreted in many ways, but to me it feels like a passage into the fragile territory of childhood and memory. There is something deeply nostalgic in it, not simply as a recollection of the past, but as the sensation of reaching toward something that has already slipped away. It evokes innocence, wonder, and the quiet melancholy that comes from sensing how distant those states have become.
The Red Dot Project (Ongoing)
Each piece begins with an empty A4 surface and a simple action: the placement of a single ink dot. The gesture repeats thousands of times until the page becomes saturated with marks. What begins as a minimal act gradually transforms into a field of density, a surface where accumulation replaces drawing and time becomes visible.
Patterns (Ongoing)
This is an ongoing drawing project made in a Moleskine notebook, one page at a time. Each pattern is built by hand through repetition, pressure, rhythm, and small variations that appear over time. What begins as a simple grid slowly becomes texture, density, and atmosphere. The goal is to fill the entire book, turning the notebook into a record of patience, focus, and accumulation. Each page stands on its own as a drawing, while also belonging to a larger body of work that grows pattern by pattern.
Between 2009 and 2016, I developed a series of photographic manipulations and digital collages that explored themes of transformation and urban memory. During this period, my work focused on two recurring subjects: the mutation of the human body and the fragmented landscape of Beirut.
Through layered imagery and digital alteration, I created figures that appeared altered, hybrid, or in a state of transition. These works explored identity, vulnerability, and the tension between the organic and the artificial. In parallel, Beirut became a central visual field in my collages. The city’s architecture, infrastructure, and urban textures were recomposed into dense and sometimes surreal compositions that reflected its complex history and shifting identity.
This body of work formed an early foundation for my broader artistic practice, introducing themes of memory, transformation, and the relationship between human presence and the built environment.
Digital Collages / Photo Manipulation (2009-2016)
Derailing Beirut (2010)
A Collaboration with Bernard Khoury / DW5.
As an ultimate act of resistance to a falsified history in which we have become passive actors, are we capable of inventing the tools that can overturn Beirut's sensational stereotypes and denounce the innumerable fantasies attributed to it. We propose to draw an infernal circuit in which the sensation-driven tourists seeking instant gratification are propelled in a pre-determined course. As passive projectiles, the tourists are placed in a hermetically lethargic situation to ultimately be embedded in expected representations and clichés of our city. Beirut becomes an exotic amusement park destined to be consumed through representations of a History that escapes us, postcards that will hopefully be deemed historical waste.
Minaret Ban (2010)
A Collaboration with Bernard Khoury / DW5.
15 March, 2012, more than two years after the majority of Swiss voters passed a referendum that banned the construction of minarets in the Swiss territory; the Imams of the four remaining Swiss mosques announce the construction of a demolition device around each mosque that mirrors the vertical architecture of their respective minarets. An open invitation is released to all Swiss citizens to participate in the annihilation of the remaining minarets. The device is aimed to translate this violence into an architectural act. T
Archi Toys (Ongoing)
Archi Toys is a speculative architectural series that begins with a simple and intimate gesture: photographing my son’s toys and reimagining them as real buildings with AI. In this project, familiar objects from childhood are transformed into inhabitable architecture, placed within believable urban and historic settings as if they had always belonged there.